The Letter D.

DRA / Stationery Suite / 20.06.2007

The first application of the identity refresh project undertaken recently for Deicke Richards, was their suite of stationery and internal document formatting.

 

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JAH/ Stationery Suite / 08.05.2007

Stationery suite for Hartley Shopfitters.

 

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JAH / Stationery Forms / 27.02.2007

A full suite of documentation forms were developed for Hartley Shopfitters to integrate the new identity and also shake-up the old generic journal pads used throughout the office.

 

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CAM / Identity / 02.04.2006

The Urologist, Dr Peter Campbell made the tentative decision to move into private practice and needed an identity and stationery suite that was flexible enough to take on an eventual practice name and possible location changes.

A pattern based around the pairing of two kidneys as the shapes ‘C’ and ‘U’ was developed as a subtle link to his specialist field of medicine, and the most likely name, Campbell Urology.

The stationery uses this pattern on one side with the interim details being overprinted onto the face, as required. A comprehesive website is underway…

 

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HIL / Stationery Suite / 22.11.2005

Identity and suite of stationery for the sparky who installed our first office fitout.

 

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SGW / Identity Concept / 12.08.2005

Initial ideas for the refresh of SGW Properties’ identity and stationery.

 

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FIN / Embossed Stationery / 02.01.2005

The second suite of stationery designed for Fine Print used a full sized emboss block.

The ‘F’ was implied through the un-embossed areas, and we even left a flat space for the stamp.

 

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FIN / Perforated Stationery / 01.01.2005

Commended in the Design Institute of Australia’s Queensland Design Awards.

With a fine tradition of print excellence and a wall full of awards already in the bag, this print manager needed a flexible, dynamic identity that could showcase the level of detail and service they had become notorious for… while still showing off a tad.

Fine Print‘s original reverse ‘F’ was reinterpreted and has since become the essence of the identity – everchanging, subtle and adaptable.

Each application of the identity utilises a different production process with the ‘F’ always present though not directly obvious.

 

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