The Letter D.

The Great Barrier Reef Foundation was holding a luncheon for their Chairman’s Panel and asked The Letter D to develop the invitation, to send to the CEO’s of some of Australia’s largest companies, and their partners.

Jan Murphy Gallery is taking Ben Quilty to the Korean International Art Fair this year, and asked The Letter D to develop the collateral.

A CD of press material and a double sided ‘flyer’ was developed, with English text on one side and Korean translation on the other.

Vetwell‘s Alderley practice asked The Letter D to produce a series of promotional pieces for a number of new services on offer.

A combined piece was developed, saving on print production and minimising waste, with perforated sections for individual offers.

A suite of postcards have been developed for The Cloakroom to promote their shoe shine service and recent advertising campaign.

Jan Murphy Gallery‘s upcoming exhibition features the work of Chinese artist Liu Zhuoquan, who takes the traditional craft of ‘snuff bottle’ painting – painting on the inside of bottles – to a whole new level.

After three years of spelling out their web address, Atelier Chen Hung were after a way of simplifying their name and so we made them an acronym of sorts – with a dash of distinction.

Silke Raetze asked The Letter D to develop an invitation suite (printed and digital) for her exhibition at Michael Reid at Elizabeth Bay.

The Letter D produced a suite of stationery for Brisbane writer and editor Margie Fraser.

Curly brackets were used to encompass the diverse term {writer}, extending the idea that they indicate a series of choices, or in Margie’s case, a variety of publications.

A suite of five gift cards displaying Ben Quilty’s iconic works have been produced for Jan Murphy Gallery, as part of the 2011 Archibald Prize regional tour, in July.

A new name, identity, stationery and website for an expanding law firm looking to shake its boutique image and promote a top tier service.

Previously Russell and Company Solicitors, the name was shortened to Russells, with a moiré pattern developed to reference a traditional laid impression through the paper stock.